The performance of Tannhäuser was not my orginal intent when planning trip to Berlin, – Le Prophete the next day at Duetsche Oper Berlin was the point of focal interest, but the flight options permitted to squeeze another performance on the day of arrival, and from all available choices offered by Berlin opera scene, Tannhäuser… Read More Repentance from eternal perdition: Tannhäuser at Deutsche Oper Berlin December 2, 2017
The announcement of the 2017/2018 season at Wiener Staatsoper immediately defined two must- see performances for my schedule, and both promised unforgettable experiences. First one was “Adriana Lecouvreur” with Anna Netrebko and Piotr Beczala, and another one “Samson et Dalila” featuring Elīna Garanča in the title role – November and May respectively. On the morning… Read More Impeccable “Adriana Lecouvreur” with Netrebko, Beczala, Zhidkova and Frontali in Vienna.
The night was not my prime purpose coming to Vienna – as the flight departs in the afternoon, and I already had some issue with sudden delays and almost missed performance, this time I decided to take precautions and go on the previous day, which luckily coincided with short working day before our Independence day… Read More Enjoyable “L’elisir d’amore” in Vienna with Grigolo, Schrott, Carroll, Yildiz
The season opening at the Opera National de Paris set high expectations with the most sought-after ticket of the season and actually unmatchable vocal feast – a starry constellation to die for! Just a glimpse at the cast list would make any opera lover to sacrifice a lot just to be there in October for… Read More Tragedy of the heart and mind: Don Carlos by Warlikowski & Jordan with Kaufmann, Tézier, Garanča, Yoncheva, Abdrazakov
Another first time for discovering new opera in live performance – I have seen Shostakovich’s “Lady Macbeth of Mtsensk” recorded on Mezzo, while nothing compares to the live experience with excellent orchestra led by legendary conductor and proper cast and staging. This was one excellent evening full of excitement and great musical experiences. Regardless of… Read More “Lady Macbeth of Mtsensk” as a time machine in Salzburg.
This was one of the most saught-after performances, and without doubt, the hottest ticket of the summer opera festivals season. A new production of “Aida”, to be conducted by renowned Verdian specialist Riccardo Muti, and starring Anna Netrebko in her role debut, supported by equally strong cast – numerous reviews were pouring in immediately after… Read More Rewritten Aida in Salzburg: Muti leads star cast with Netrebko, Semenchuk, Meli, Salsi
Need to admit a gap in my opera education: it was my first Alban Berg opera live, – since MetHD does not count, and first Wozzeck ever. Probably, each opera comes to the exploration path in its right time, so I have not built any specific expectations except general knowledge and some excerpts seen and… Read More Getting to know Wozzeck. Kentridge stages “Wozzeck” with Goerne, Grigorian, Daszak in Salzburg.
My intent when booking the ticket for another “Tales of Hoffmann” was to see Aleksandra Kurzak interpreting all 4 roles, and to see how Ildar Abdrazakov will play 4 various villains. None of it materialised since both pulled out and were replaced: Kurzak by a combo of Olga Pudova and Diana Damrau, and Abdrazakov by… Read More Tales of intoxicated Hoffmann: Jones production with Spyres, Brower, Damrau, Pudova and Testé
The Stigmatised – what it could mean? How will Krzysztof Warlikowski interpret the score which is almost 100 years old, and have been as popular and highly regarded in Germany, even compared with masterpieces of Wagner? As an explorer, I have not invested much time in preparation, and have not heard the opera before, so there… Read More Branded? Warlikowski stages Die Gezeichneten with Daszak, Naglestad, Maltman and Konieczny in Munich
That was a second consecutive night in Munich with the production of Krzysztof Warlikowski at the Munich Opera Festival – following the very successful premiere of “Die Gezeichneten” a night before. Therefore, my main challenge was to put aside impressions of the previous night and look into layers of symbolism created by the team for… Read More Warlikowski nights in Munich: “Die Frau ohne Schatten”